BEGIN:VCALENDAR
VERSION:2.0
PRODID:https://github.com/derhansen/sf_event_mgt
METHOD:PUBLISH
BEGIN:VEVENT
UID:769-199@badw.de.devweb.mwn.de
CLASS: PUBLIC
SUMMARY:South African Opera and Globalisation (1994-2022)
DESCRIPTION:Thursday, 12th May 2022 18.30: Panel Discussion with Jessica Nu
 pen about her Dance|Rap|Opera The Nose (2021) Friday, 13th May 2022 10.00: 
 Welcome and Introduction 10.15-12.00: Panel 1: Opera Productions in and out
 side of South Africa Dr. Melissa Gerber (University of Johannesburg, South 
 Africa): Opera in Afrikaans, Again, or, Re-making a Genre in South Africa: 
 The Cases of Poskantoor (2014) and Die Vertrek (2019) Dr. Andrew Holden (Ox
 ford Brookes University, UK) and Alessandro Talevi: Emerging from the Fores
 t: Cape Town Opera’s Pandemic Hänsel and Gretel Dr. Robert Fokkens (Cardiff
  University, UK): Introducing Bhekizizwe: Models and Approaches for Creatin
 g New Opera in South Africa and Beyond 12.30-13.30: Panel 2: Mapping the Wo
 rking Situation of South African Opera Singers M.A. Sakhiseni Joseph Yende 
 (Tshwane University of Technology, South Africa): A Perspective of Young Op
 era Graduates on their Working Situation in South African Opera Industry B.
 A. Setsoane Jeannette Ntseki (University of Cape Town, South Africa): Emplo
 yment in the South African Opera Industry: In search of Constructive Models
  to Create Sustainable Job Opportunities for Opera Singers/Musicians 13.30-
 14.30: Panel 3: The South African Opera Voice in Discourse Prof. Dr. Johann
  Buis (McGill University, Canada): Midas Touch Voice Teacher: The Making of
  International Opera Superstars in Post-Apartheid South Africa M.A. Joshua 
 Tolulope David (University of Toronto, Canada): More Than Voices: An Analys
 is of Vocal Models in Operatic Tradition in Africa 15.30-17.00: Panel 4: De
 velopments of the South African Opera Landscape Dr. Tinus Spies (University
  of Pretoria): The Gauteng Opera Scene 2012-2022: A Performer’s Perspective
  Prof. Dr. Lena van der Hoven (Bavarian Academy of Sciences and Humanities,
  University of Bern): The COVID-19 Pandemic and the Pre-Existing Precarity 
 of South Africa’s Opera Scene Dr. Donato Somma (Witwatersrand University, S
 outh Africa): The Changing Appetites for Opera in Post-Apartheid SA 17.00-1
 7.30: Final Discussion
LOCATION:Livestream
DTSTAMP:20251111T140042Z
DTSTART:20220511T220000Z
DTEND:20220513T215959Z
END:VEVENT
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